{"id":10,"date":"2021-11-09T01:18:35","date_gmt":"2021-11-09T01:18:35","guid":{"rendered":"https:\/\/obsidiansound.net\/?page_id=10"},"modified":"2024-05-24T18:39:23","modified_gmt":"2024-05-24T18:39:23","slug":"home","status":"publish","type":"page","link":"https:\/\/obsidiansound.net\/","title":{"rendered":"Welcome"},"content":{"rendered":"
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[STUDIO UPDATE: WE ARE NOT ACCEPTING NEW PROJECTS AT THIS TIME.]<\/strong><\/em><\/p>\n

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Obsidian Sound provides analogue audio mastering services for albums, singles, and soundtracks for games and films. Its owner, mastering engineer Nathan Moody, has worked on thousands of songs and hundreds of projects for independent artists, film and game composers, music labels, game studios, and other institutions from all over the world.<\/p>\n

Obsidian Sound takes a unique approach to understanding its clients\u2019 creative intent. <\/span>In addition to counting hundreds of individual composers, game studios, media production studios, and artists as clients, the results have been released by Netflix<\/a>,\u00a0<\/span><\/span>Cyan<\/a>,<\/span>\u00a0<\/span>the estate of Allen Ginsberg<\/a>, <\/span>Audible<\/a>,\u00a0<\/span>ArenaNet<\/a>, <\/span>Amazon Music<\/a>, <\/span>Bethesda Softworks<\/a>,<\/span>\u00a0<\/span>SA (Spitfire Audio) Recordings<\/a>, <\/span>the YouTube Audio Library<\/a>, <\/span>Mystery Circles<\/a>, <\/span>Chase Bliss Records<\/a>, <\/span>Errorgrid<\/a>, <\/span>Pelagic Records<\/a>, <\/span>Aural Canyon<\/a>, <\/span>Seil Records<\/a>, and many more.<\/span><\/p>\n

Some recent work is shown below; you can also see a list of artists whose work has flowed through my mastering desk<\/a>. Email nathan [at] obsidiansound [dot] net <\/strong>for a quote, or with any questions you might have.<\/p>\n

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scntfc - Oxenfree II: Lost SIgnals<\/p>\n\t <\/div>\n<\/div><\/div>

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Maclaine Diemer - Firmament OST<\/p>\n\t <\/div>\n<\/div><\/div>

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Todd Barton \/ Hainbach - S\/T Split EP<\/p>\n\t <\/div>\n<\/div><\/div>

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Maclaine Diemer - Salt & Sacrifice OST<\/p>\n\t <\/div>\n<\/div><\/div><\/div>

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Ulaan Passerine - Sun Spar<\/p>\n\t <\/div>\n<\/div><\/div>

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Marcus Bagala - Trans Pecos OST<\/p>\n\t <\/div>\n<\/div><\/div>

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Greg Dombrowski - Eternity Beyond Forever<\/p>\n\t <\/div>\n<\/div><\/div>

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MAYSUN - Wanderlust II<\/p>\n\t <\/div>\n<\/div><\/div><\/div>

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GW2: End of Dragons OST<\/p>\n\t <\/div>\n<\/div><\/div>

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V\/A: We Are As Gods<\/p>\n\t <\/div>\n<\/div><\/div>

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Takumi Ogata - Remnant OST<\/p>\n\t <\/div>\n<\/div><\/div>

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Wet Satin - S\/T<\/p>\n\t <\/div>\n<\/div><\/div><\/div>

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Ivo Ivanov - Anecdote<\/p>\n\t <\/div>\n<\/div><\/div>

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Aqeel Aadam - Swim Simian<\/p>\n\t <\/div>\n<\/div><\/div>

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Hainbach - Landfill Totems<\/p>\n\t <\/div>\n<\/div><\/div>

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Guild Wars 2: Icebrood Saga OST<\/p>\n\t <\/div>\n<\/div><\/div><\/div>

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Gerald Fjord - Fracture<\/p>\n\t <\/div>\n<\/div><\/div>

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Anna Yarborough - On Madness at Sea<\/p>\n\t <\/div>\n<\/div><\/div>

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V\/A - The Fall of America<\/p>\n\t <\/div>\n<\/div><\/div>

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V\/A - Diggin:apos: in the Wires Vol. 2<\/p>\n\t <\/div>\n<\/div><\/div><\/div>

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Ghost Lode - Terrestrial Bodies<\/p>\n\t <\/div>\n<\/div><\/div>

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Dennis Weijers - Accordion & Modular...<\/p>\n\t <\/div>\n<\/div><\/div>

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Malarki - Consequence of Tomorrow<\/p>\n\t <\/div>\n<\/div><\/div>

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Duelling Ants - JfonO<\/p>\n\t <\/div>\n<\/div><\/div><\/div>

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True Cuckoo - I:apos:m Not a DJ<\/p>\n\t <\/div>\n<\/div><\/div>

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Peninsula Repairs - Remove Cycles<\/p>\n\t <\/div>\n<\/div><\/div>

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V\/A - Mystery Circles Compilation 2<\/p>\n\t <\/div>\n<\/div><\/div>

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BPMoore - If I Don:apos:t See You Again<\/p>\n\t <\/div>\n<\/div><\/div><\/div>

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Glass Haven (S\/T)<\/p>\n\t <\/div>\n<\/div><\/div>

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Hainbach - Assertion<\/p>\n\t <\/div>\n<\/div><\/div>

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Rene G. Boscio \u2013\u00a0If We Seek With Intent<\/p>\n\t <\/div>\n<\/div><\/div>

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Todd Barton \u2013\u00a0Pulses\/Buchla Nomad<\/p>\n\t <\/div>\n<\/div><\/div><\/div>

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Ootro - Paid to be Entertained<\/p>\n\t <\/div>\n<\/div><\/div>

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Aqeel Aadam - Hollow Moon<\/p>\n\t <\/div>\n<\/div><\/div>

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Ivo Ivanov - Anaphora<\/p>\n\t <\/div>\n<\/div><\/div>

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Jeff Schmidt - Subcortia<\/p>\n\t <\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template\/page\/fullwidth.php","meta":{"bgseo_title":"Obsidian Sound mastering","bgseo_description":"","bgseo_robots_index":"index","bgseo_robots_follow":"follow","footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry","even"],"_links":{"self":[{"href":"https:\/\/obsidiansound.net\/wp-json\/wp\/v2\/pages\/10","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/obsidiansound.net\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/obsidiansound.net\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/obsidiansound.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/obsidiansound.net\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":10,"href":"https:\/\/obsidiansound.net\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":242,"href":"https:\/\/obsidiansound.net\/wp-json\/wp\/v2\/pages\/10\/revisions\/242"}],"wp:attachment":[{"href":"https:\/\/obsidiansound.net\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}